I finished the script for my proposed HIP POCKET THEATRE 2015 project today!
Writing anything is a bit like giving birth, without having to lose the weight afterward.
I'm both excited and terrified, as this is my first theatrical show in 27 years!!!
The script goes to the printer tomorrow and then on to the Artistic Director for his approval. With that, the show is a go for next season and my work will REALLY begin.
As promised, I will document the design process on this blog soon. Sets, Costumes, Puppets and Masks...the whole package!
Stay tuned!
Tuesday, September 30, 2014
Friday, September 19, 2014
Modeling a Theatre 3
I Love this space. Just like the OAK ACRES stage that I helped to build up in the 1970's - 1980's, it has evolved as needed through the seasons since that time, but in another place.
In HPT parlance, this is my "Given". I've been assured that It can be re-configured into anything that I want it to be, for my show...but I like it just as it is....
In HPT parlance, this is my "Given". I've been assured that It can be re-configured into anything that I want it to be, for my show...but I like it just as it is....
Modeling a Theatre 2
The purpose of this model is to afford me a practical space in which to stage my proposed production.
It doesn't need to be in perfect scale for this ( although the actual photos and my model seem to be pretty close in scale ), just enough so that I can move my imaginary actors, props ands set pieces in and out, and to determine if my concept for the show will play in this space.
I actually set each scene up and move little 2 1/2" figures around to make sure I am on track. (More about that soon ). Once I can visualize the action of each scene, I am able to write it, allowing for the ebb and flow of the characters on and off the stage, as well as how props and set pieces will enter and exit the space...
[ Incidently, this model is built to an aproximate 1/2" to 1' scale. This yields a model of about 30" X 24" which can fit on a tabletop, as this one can for ease of viewing and working ]
It doesn't need to be in perfect scale for this ( although the actual photos and my model seem to be pretty close in scale ), just enough so that I can move my imaginary actors, props ands set pieces in and out, and to determine if my concept for the show will play in this space.
I actually set each scene up and move little 2 1/2" figures around to make sure I am on track. (More about that soon ). Once I can visualize the action of each scene, I am able to write it, allowing for the ebb and flow of the characters on and off the stage, as well as how props and set pieces will enter and exit the space...
[ Incidently, this model is built to an aproximate 1/2" to 1' scale. This yields a model of about 30" X 24" which can fit on a tabletop, as this one can for ease of viewing and working ]
Modeling a Theatre 1
I will be the first to admit that this is not the way to go about this process. Detailed measurements are always a good idea when making a working model of...well, anything!
Here, however, I used photographs that JOHNNY SIMONS sent to me late last year. I had never even seen this space at that time. By studying the pictures ( counting the boards in the stage and estimating their width at some points ) I was able to estimate the dimensions of the stage.....
Here, however, I used photographs that JOHNNY SIMONS sent to me late last year. I had never even seen this space at that time. By studying the pictures ( counting the boards in the stage and estimating their width at some points ) I was able to estimate the dimensions of the stage.....
On the Subject of Maquettes
As I've said, a Maquette is French for a working model. I've made dozens of them in my career, some quite detailed. Usually to sell a project to a Producer or a Director who's imagination was...well, let's say... Limited.
Not so this one. This is a not-to-scale model I've constucted out of bits of wood and cardboard to approximate the stage area of the current venue of the HIP POCKET THEATRE.
In order to write and subsequently stage the production I will attempt for them next season, I made this model so I could envision sightlines and settings. I am, after all, 600 miles away from the source....
Not so this one. This is a not-to-scale model I've constucted out of bits of wood and cardboard to approximate the stage area of the current venue of the HIP POCKET THEATRE.
In order to write and subsequently stage the production I will attempt for them next season, I made this model so I could envision sightlines and settings. I am, after all, 600 miles away from the source....
Wednesday, September 17, 2014
Work Begins for 2015
Today in my workshop:
Constructed a Mask Maquette from plaster of paris.
I Utilized an ordinary plastic "blank face" mask ( from PartyCity by the way...). I Built up the forehead with thin cardboard and duck tape ( also covering the holes in the mask ) for added strength. Then rubbed petroleum jelly thinly inside the "mold" all around. I placed the finished mold upside down in a cardboard box, just bigger than the edges of the mold and filled with styrofoam packing peanuts for support. And finally I filled the mold with the plaster mixture ( 4 cups cool water with 8 cups plaster powder added slowly and mixed until thick and soupy ). After about 4 hours, I very gently tipped the box and mold upside down on an old terry towel and wiggled the plaster out of the mold. Placed face up on two dowels so air can circulate, this will need to fully dry for another 24 to 48 hours.
A bit of carving and sanding will yield a perfect base on which to use plasticine clay to sculpt character masks. These can then be rendered in several layers of paper mache for a perfect fit on the actors who will wear them.
Thus ends today's lesson.
Why am I doing this you ask? Stay tuned......
PS: "Maquette" is French for a working model. Good thing I used plaster of "Paris", huh?
Constructed a Mask Maquette from plaster of paris.
I Utilized an ordinary plastic "blank face" mask ( from PartyCity by the way...). I Built up the forehead with thin cardboard and duck tape ( also covering the holes in the mask ) for added strength. Then rubbed petroleum jelly thinly inside the "mold" all around. I placed the finished mold upside down in a cardboard box, just bigger than the edges of the mold and filled with styrofoam packing peanuts for support. And finally I filled the mold with the plaster mixture ( 4 cups cool water with 8 cups plaster powder added slowly and mixed until thick and soupy ). After about 4 hours, I very gently tipped the box and mold upside down on an old terry towel and wiggled the plaster out of the mold. Placed face up on two dowels so air can circulate, this will need to fully dry for another 24 to 48 hours.
A bit of carving and sanding will yield a perfect base on which to use plasticine clay to sculpt character masks. These can then be rendered in several layers of paper mache for a perfect fit on the actors who will wear them.
Thus ends today's lesson.
Why am I doing this you ask? Stay tuned......
PS: "Maquette" is French for a working model. Good thing I used plaster of "Paris", huh?
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